Aesthetics, Cosmopolitics and Design
The Prototype as a Cosmopolitical Place: Ethnographic design practice and research at the National Zoo in Santiago, Chile Paper Title
Martín Tironia, Pablo Hermansena, José Neiraa
School of Design, Pontificia Universidad Católica de Chile (3)
martin.tironi@uc.cl
Keywords: protopype, cosmopolitics, design, zoo, ontologic diplomacy
Abstract
This article presents an empirical reflection about the design of prototypes and the individualization of some animals at the National Zoo in Santiago, Chile. Using the material produced by design students, we describe how the process of prototyping contributes to singularize those animals, therefore becoming a cosmopolitical device. The environmental enrichment for chimpanzees case will demonstrate how prototyping displays a truly ontological vocation, establishing open processes of dialogue and experimentation. Its provisional, malleable and fragile nature turns the prototype into a locus for inquiry and exploration; its cosmopolitical qualities derived from its many forms of ontological diplomacy: instead of stabilizing properties, it constantly re-specifies its conditions for verification. Finally, we attempt to develop the thesis of the prototype as a cosmopolitical device and its implications on design research as well as a way to intervene the world.
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Cite this paper: Tironi M., Hermansen P., Neira J. (2016). The Prototype as a Cosmopolitical Place: Ethnographic design practice and research at the National Zoo in Santiago, Chile . Proceedings of DRS 2016, Design Research Society 50th Anniversary Conference. Brighton, UK, 27–30 June 2016.
This paper will be presented at DRS2016, find it in the conference programme